Posts by Michael

Paint My Life

June 29th, 2014
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(For readers who don’t know me, or those who do but don’t assume, or those who do assume but shouldn’t, I’m a mostly-cis-gendered mostly-heterosexual white male. That might matter for this piece; it might not. In general I think my identity doesn’t matter much, but I am very invested in the idea that everyone, no matter their identity, be able to feel similarly—that their identity isn’t important. And for that people like me need to stop privileging their identities over any others.)

I went to a friend—a friend I trusted—and I said, “I’m ready to ask a favor of you.”

She painted the nails of my left hand black, and oversaw my attempt on my right. As it was happening, I wondered: is this what I want? The cool black fluid splashed beyond the boundaries of my nails, enveloped my fingertips. It quickly began to dry, and a stiffness spread over my skin. My fingers felt heavy.

“The bit on your skin will come off the next time you wash your hands,” she said.

The next morning, I shed black flakes in the shower and emerged with what I had wanted: painted nails.

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Rev The Beat: Nightcore

July 12th, 2013
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Hi! This is only my second post on this site, my first being our Hello World, but it won’t be my last—this is the first installment of what I hope will be a regular column, if only because I came up with an extra-punny title.

In November 2011, someone[1] declared that dubstep was the ‘music of the revolution.’ I liked that declaration, despite not knowing (nor liking) much dubstep. Its energy is kind of contagious, and dubstep is a sort of musical revolution. Today, we see it seeping further and further into other music forms. The anime Free, for instance, is accompanied by a typial jpop score—until The Drop. Dubstep is working its way into pop, rock, country; it’s upsetting traditional music structures, and it’s doing it memetically. Literally overthrowing other musical memes, supplanting them: a revolution. In 2011, I couldn’t have known that this would happen, but I would have hoped.

But is dubstep the only music of the revolution?

Nightcore is two dudes from Norway who hit the French trance scene with a fresh style that became its own genre, distinct from trance in the eyes of its fans. They take music—usually a popular pop or dance track—and speed it up, coaxing out rhythmic beats in order to produce a totally new piece of music: almost strident, very danceable—closer to happy hardcore than to trance. Amateur trance enthusiasts on YouTube take it upon themselves to expand on Nightcore’s work: “nightcored” songs on the tubes outnumber Nightcore’s actual work by so many magnitudes I’m not sure I’ve ever heard anything actually by Nightcore.

Not all of these fan creations are top-notch music, but they’re almost all passable. Maybe this speaks to the formulaic nature of nightcore, and to the lack of artistry involved; maybe it signals one of the ways in which the internet is not only democratic but also democratizes other things (in this case, music). You don’t have to be a composer, nor even a mash-up artist, to make a nightcore song that will accrue nonzero accolades. You use someone else’s contribution to culture (e.g. “Telephone” by Lady Gaga) and you use it as the foundation for another equally valuable contribution to culture (e.g. “Nightcore – Telephone” by Anonymous[2]). Nightcore, to me, is a testament to the beauty of derivative art. Like the mash-up scene, it makes a strong case against copyright, against the legal strictures of our ownership-based society.

If he who built the first fence committed the first evil act, then the folks making nightcore remixes are the ones trying to tear that fence down.

Here’s a playlist of nightcore I’ve put together on YouTube.
Quality varies, but I’m sure you can find something to at least tap your fingers to!

I don’t know what I’ll be covering in future columns, but I am open to suggestions :)

I’ll probably do dubstep at some point!

And maybe I’ll do posts on Rebecca Black and Taylor Swift (separately), investigating the ways in which these controversial characters subvert our culture and produce immense value as icons.


  1. random internet commenter ofc. []
  2. technically, by YouTube user “NightcoreAndTrance,” whose only public biographical information is “I am a boy” []

Hello world!

January 9th, 2012
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Welcome to the Living Revolution website! We’re finally kinda-sorta live. Hang tight as we get this thing set up.